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Shooting Children Indoor Tip

This tip is kinda late as winter is almost over (what winter you may ask).

During the winter months I find a lot of my shots of the kids is indoor; often its just too cold and miserable outside for everyone. Shooting indoors presents its own challenges, the main on is getting sharp shots.

When shooting family portraits, families will often ask for advice which I am happy to provide where I can, the most common issue is “my photos are always blurry!”. This is often due to the camera they have which is more often than not an ultra compact point and shoot style camera, these types of camera are inherently slow and difficult to shoot kids with. Though these days more and more people have a DSLR of some variety or another which are more than capable of shooting great photos of the kids, and yet the problem of blurry photos persists.

There are a variety of reasons for this, but one of the main reasons is the shutter speed that people are taking photos with is often two low. The standard rule is that your shutter speed should be 1.6 times (1.6 crop factor is applicable to most consumer DSLR’s) the focal length of your camera. Sounds complicated, but it really isn’t, here is an example. If you have a cheap and excellent 50mm f1.8 prime lens on your typical Canon Rebel (insert similar Nikon model here!), your shutter speed should be 50×1.6, which is approximately 1/80 of a second, minimum to get sharp shots avoiding camera shake when shooting a still subject.

Here is the secret though, kids are never still, so if you follow this advice, you’ll find that you get less than sharp photos more often than not, so my secret source is to ensure your shutter speed is 2-3 times your focal length, so in the example above for a 50mm lens, I would advise 1/150 or faster.

Give it a shot (pardon the pun) and let me know if it helps!

Photos below all shot with a Canon 5DmarkII (crop factor of 1, so following my rule, shutter speed should be 1/100 minimum) and a 50mm f1.4 lens…

ISO 400, f1.4, 1/80s, focus on the eyes…

Arise Sir DeelyBopper!

ISO400, f1.4, 1/100s, focus on the eyes…

The making of a King

ISO400, f1.4, 1/100s, focus on the eyes…

Get me outa here!

And a bonus tip for those who read to the end, you may need to bump up your ISO settings to get the shutter speed you need.

Bonus tip two… notice that in each shot, the subject is facing the window light, more on this coming up…

Flickr

Just when I thought I was done with flickr for purposes other than being a cheap online backup system… it bites me in the ass! Last night I got an email notification from flickr that some guy had started following my flickr stream, this is nothing new, but the flickr name peaked my interest (outofchicago.com) so I took a look at his flickr stream. What I saw impressed me, his shooting style reminded me of the now defunked windy pixel blog ran by Justin Kern before he relocated to California.

The guy is (Chris as I now know) holding a photo walk around the University of Chicago on March 10th. Figured I’d drop him a note to see if I could tag along as its a place I haven’t shot before and I have a bit of a personal 2012 resolution to broaden my photographic horizons more, try more HDR, more industrial and street photography, I may like it I may not, but I am a firm believer that the best photographers are those capable and willing to turn their lens to any genre of photography, so that is where I aim. Looking at Chris’s stream I could see some outstanding HDR work at the university. I happened to mention that I was gonna go out shooting myself today, and he invited me to join him and a few friends to shoot sunrise and the Adler Planetarium. Why not I figured, I’ve shot there before, but given the time of year and the fact that a lot of office lights would be on, I thought I might get a good cityscape pano, something I have never gotten around to shooting before, so at 4:45am, I headed into the city.

And thats the thing with flickr, as much as it sucks (and it does suck, and is getting worse), it is the only photography sight where I have actually met and shot with fellow photographers from.

Did I get my pano, I think so…

After a could of attempts I took the above photo which is a composite made up of 12 photographs resulting in quite a sizable image.

But above that, I got to meet some great photographers who I hope to shoot with again sometime, thanks to flickr.

Birthday Photos

I was supposed to have an Engagement shoot yesterday, but due to circumstance that had to be rescheduled to early July, which gave me a spare afternoon and a new Cheetah QBox Softbox that I wanted to try out. So I decided to get some shots of the boys, everything seemed to align, Cole had cut his hair with scissors a couple of days before, so was sporting a new enforced haircut as was Ben, I had found a new location to shoot and as mentioned I was wanting to try the Cheetah QBox Softbox out for the first time.

So saturday morning myself and Cole headed for the shopping mall intent on buying some new outfits for them; Cole likes clothes shopping when the promise of a round of glow golf is on the end of it!

So with clothes shopping mission complete and armed with an arsenal of candy for bribary purposes, out we headed out on Saturday afternoon to my newly discovered location, below are some samples of what we got, all lit with just natural light and the QBox used to lift the shadows on the boys and lift the boys out of the background a little.

Also worth reminding everyone, that when its not raining, the weather is now great for family and children photos now, so don’t forget to book, as there is always gonna be someone that waits and then misses out before the weather gets too cold, it happens every year :-) .

Portable Softboxes


Recently my trusty double fold Westcott shoot though umbrella went the way of most conventional umbrellas – the fabric ripped from the structure of the umbrella. It served me well. Instead of replacing like for like I decided to look for a portable softbox to allow better control of the light.

When it comes to portable softboxes there are three main players I learnt, the following is a few pros and cons of each from my point of view, hopefully helpful to someone else also.

The main three are the Westcott Apollo softbox, available in various sizes; though I was looking at portability, so was interested in the 28″ version. Following the Westcott is the Lastolite Ezybox available in various sizes, but again, in the name of portability I was interested in the 24″ version. Lastly and I say lastly because I didn’t discover this one until I had almost decided on the Ezybox, the Cheetah Qbox which also comes in various sizes, but I was interested in the 24″ version.

Lastolite Ezybox

Westcott Apollo

Cheetah Qbox

Both the Ezybox and QBox are very similar in design, they both fold up popup style, both have a flash mount behind the softbox, thus making it easily accessible for adjustment, and both are 24″ square in size. The Apollo is a bit different in that the flash is mounted internally to the softbox and the softbox folds up using the same mechanism as an umbrella. Of the 3 the Apollo is probably the most popular and has a great reputation for producing excellent quality light.

I discounted the Apollo though fairly quickly as I didn’t like the fact that I had to open the softbox to make adjustments to my flash, this would be less of an issue if I used ETTL capable radio triggers but as it is I use Pocket wizard PlusII’s which are fully manual.

The Ezybox solves this issue by mounting the flash on the back of the softbox, thus making it easily accessible, problem solved, however the decision is not so simple if price is considered, the Apollo being approx $120 and the Ezybox being approx $220. One other issue I had heard though with the Apollo is that adjusting the angle of the softbox is tricky due to its design, again less of an issue with the Ezybox.

I then came across the QBox which is produced by a smaller company than Lastolite, but for all intense and purpose it looked to be identical to the Ezybox, save a couple of key differences… it folds up smaller, it is slightly deeper, it comes with a grid included, it comes with a baffle to create round catchlight, it is $100 cheaper than the Ezybox at $120!

Qbox Grid

QBox Round Mask

After some more searching and reading in the internet I ordered the QBox. Though I haven’t received it yet, after experiencing Cheetahs customer service, I felt compelled to write something about that aspect at least.

The day after ordering the QBox, I received a phone call from Edward; the owner of Cheetah, he had noticed that on my order I had selected second day air shipping and called to see if I really needed second day shipping!
This was a first for me, normally when ordering items online, they just get shipped via which ever shipping method you selected at the time of ordering, not the case with Edward. He wanted to know when I needed the item by, on hearing that I needed the item for a shoot on Saturday, he quickly checked to see how long ground shipping would take to my shipping address. It looked like ground shipping would get the softbox to me by Thursday, in plent of time and for $14 cheaper than two day air shipping, so he updated the order and refunded me $14 making the QBox more than $100 cheaper than the Ezybox.

For now I wait for it to arrive and will report back on my findings once it arrives, but so far, I find it hard not to be anything but impressed with the Cheetah customer service, there are a few other companies could learn a thing or two about Cheetah!

Mist over Chicago

I haven’t had much chance lately to get out and do some landscape photography, but on Friday evening the rest of the family where out at a birthday party so I took my travel kit to work with me and ventured around the southern end of Chicago to see what I could find. These shots were taken with my Panasonic GF1. Here are a couple of shots…

It took me a while to get this shot. I stood in the middle of the bridge waiting for a train to go by, it seemed like they were passing all to often until I arrived, then nothing. Eventually one came and went – I missed it due to me chatting with someone asking about my camera. I had a 105mm Lee polarizer attached to my 14-45mm Panasonic zoom lens via a lens adapter which allows me to use the same circular polarizer on all of my cameras, which is mighty handy, as they are quite expensive! It does look kinda odd I’ll admit, but it does the job.

Eventually a train did pass again and 1/40 of a second later I was on my way.

It took me a while to get this shot. I stood in the middle of the bridge waiting for a train to go by, it seemed like they were passing all to often until I arrived, then nothing. Eventually one came and went - I missed it due to me chatting with someone asking about my camera. I had a 105mm Lee polarizer attached to my 14-45mm Panasonic zoom lens via a lens adapter which allows me to use the same circular polarizer on all of my cameras, which is mighty handy, as they are quite expensive! It does look kinda odd I'll admit, but it does the job...Eventually a train did pass again and 1/40 of a second later I was on my way. (Jonathan Robson)

 

Wanted to get a shot of this before it dissappears. Who knows if it will disappear, but there are so few camera stores these days (I don’t consider Wolf to be a camera store). Ironically though I amd people like me are part of the reason for their disappearance also given I buy most of my equipment from B & H Photo & Adorama via the world wide innertube!

 

I could hear these guys for miles, assumed a large band, imagine my surprise when I realized it was just these five guys. Had a sticky situation though, I took a few shots then realized I had no cash on me for a tip, so had to leave, head to the bank, when I returned they had gone, luckily I spotted them across the street heading home and managed to catch up with them to give them some money.

Bamburgh Castle – Best of Show – OpenLens II 2011

This year I decided to enter the annual OpenLens juried exhibit held by Gallery 7 in Joliet. I had seen some of the work submitted for the first OpenLens exhibit last year, the level of photography was very high, however last year I just never got my stuff together in time to enter.

This year I entered 5 photos:

In total there were 535 entries of which 68 where selected as finalists for the exhibit. My photo of Whitby Abbey and Bamburgh Castle were both selected for the exhibit.

Best of Show – Bamburgh Castle – OpenLens II – 2011

View On White..Bit of a love hate relationship with this place. I turned up there the day before in the morning, the weather was terrible, annoying drizzly English rain and white sky. By the evening the weather had cleared a bit and I was able to get some shots, but this is a morning place due to its location...The weather forecast said the following morning would start out cloudy, I was bummed. At 3.20am I happened to wake, I looked at the window and thought I saw colour in the sky through the curtain. I got up and indeed there was some colour and blue sky...By 3.45am I had arrived at the beach having dressed and driven 18 miles on single lane roads in the previous 20 minutes or so, driving in England is fun!..This shot was taken much later than some other shots I have yet to process, when I arrived I was the only person around, then a couple of fellow photogs turned up, we got chatting, I told him about my spritely arrival, only for him to later tell me he was a cop, I back pedaled a little; claiming jokingly I had driven a leisurely 30mph the whole way, he proceed to tell me they had done the same thing ;-)..They left shortly after the initial sunset, I stayed and walked towards the castle, I felt the light was still pretty soft which resulted in this shot with this light...Enjoy hopefully!.. (Jonathan Robson)
12×18 print, double matted and framed one off print, $250 available from Gallery 7 until July 15th

Finalist – Whitby Abbey – OpenLens II – 2011

Whitby Abbey is a ruined Benedictine abbey sited on the East Cliff, 199 steps above Whitby harbour in North Yorkshire on the north-east coast of England..It was founded in 657 AD by the Anglo-Saxon era King of Northumbria, Oswy (Oswiu) as Streoneshalh (the historical name of the town Whitby where the abbey is located). He appointed Lady Hilda, abbess of Hartlepool Abbey and niece of Edwin the first Christian king of Northumbria, as founding Abbess. The name Streoneshalh is thought to signify Fort Bay or Tower Bay in reference to a supposed Roman settlement that previously existed on the site. This contention has never been proven though and alternate theories have been proposed, such as the name meaning Streona's settlement. Some believe that the name referenced Eadric Streona but this is highly unlikely though due to chronological considerations: Streona died in 1017 so the naming of Streoneshalh would have preceded his birth by several hundred years...The double monastery of Benedictine monks and nuns was also home to the great Northumbrian poet Caedmon. In 664, the abbey was the site of the Synod of Whitby, at which King Oswiu ruled that the Northumbrian Church would adopt the Roman calculation of Easter and monastic tonsure...In 867, the abbey fell to Viking attack, and was abandoned..William de Percy ordered that the abbey be refounded (1078) by Regenfrith (Reinferd) a soldier monk, dedicating it to St. Peter and St. Hilda. Later it became Presteby (meaning the habitation of Priests in Old Norse) then Hwytby; next Whiteby, (meaning the "white settlement" in Old Norse, probably from the colour of the houses) and finally Whitby..The second monastery lasted until it was destroyed by Henry VIII in 1540 during the Dissolution of the Monasteries. The abbey buildings fell into ruins, and were mined for stone, but remained a prominent landmark for sailors and helped inspire Bram Stoker's Dracula.[citation needed] The ruins are now owned and maintained by English Herita (Jonathan Robson)

12×18 print, double matted and framed one off print, $195 available from Gallery 7 until July 15th

Initial submissions where made via email, then any images selected for the exhibit needed to be printed for display at the exhibit. You could choose to display your artwork however you wanted and in the end the variety of printing, matting and framing techniques on display at the exhibit was quite impressive.

Given that all three of my other photog friends (Mark Baldwin, Mark Kinsman, Manuel Diaz) had also had images selected for the exhibit and one of them had just purchased matte cutting equipment, we decided to have a ‘framing party’ and matte and frame our prints by hand. This was my first time doing this, so it was quite an experience. We purchased the frames and glass and set to work measuring and cutting the double mattes for our prints, or rather Mark Baldwin did – matte cutter extraordinaire! The hardest part of custom framing is by far the glass, the glass needs to be 100% dust free. For the Fountains Abbey photo which has a lot of dark colored sky, this took eight cleaning attempts, for Bamburgh Castle it took a few also to remove a couple of stubborn marks on the glass. Cleaning involves cleaning the glass, then mounting the print, matte and glass in the frame and then checking for any dust. If you see some, the question is, is it on the inside or the outside, then remove everything from the frame, clean and repeat!

I had learnt a couple of weeks ago that one of my two photos had been selected as an award image, I assumed it was Bamburgh Castle which I considered a slightly stronger in terms of how a jury would view the photo than Fountains Abbey, which I also like non the less. What I didn’t know was what award I had won, I had an inkling that I may have won Best of Show on arriving at the gallery as Bamburgh Castle was placed in the middle of the back wall on its own. Most other images were double hung with two photos hung vertically above each other.

As Hank read out the awards from honorable mention 6, 5, 4, 3, 2, 1, 3rd, 2nd, 1st place, I assumed there was a mistake and I hadn’t won anything as I thought 1st place was the winner! But anyway it was a proud moment for me to win such an exhibit when Bamburgh Castle was announced as the Best of Show. The level of photography and talented photographers that were in attendance was incredibly high, every single photo could have won best in show on another day, luckily for me mine was chosen on this day.

 

The exhibit is running for six weeks, the closing reception is on July 15th. But if you want to see some outstanding photography, regardless of whether you want to buy anything or not, I recommend stopping by Gallery 7 either before or on the closing reception – 116 N Chicago St, Suite 102, Joliet, IL 60432.

Abbey Steps

I raced from the side of Whitby you see int he distance, to the abbey steps at sunset because I wanted a shot of the street lights and the sunset in the evening. On arriving, the steps were filled with photographers looking for the same classic shot of Whitby. To date I haven't processed the shots, I haven't yet really formulated how I want to process the photo, one day I'll decide and do it, it's been a year, and I'll looked at the shot many times.??That said on my way down the steps, this was my final shot of Whitby, just after sunset, the buildigns ont he right partly lit by the street lamp.??I like the shot in colour also, but I'm still in a blakc & white mood, plus this shot has the right qualities for black & white in my opinion.??Pretty much marked the end of my photo adventure when back home in England, from here I headed to the car and drove back over the pitch black moors back to Doncaster. After a few dreadful days of weather, Whitby had been kind weather wise and photographically to me. (Jonathan Robson)

I raced from the side of Whitby you see in the distance, to the abbey steps at sunset because I wanted a shot of the steps, street lights and the sunset in the evening. On arriving, the steps were filled with photographers looking for the same classic shot of Whitby. To date I haven’t processed those shots, I haven’t yet really formulated how I want to process the photo, one day I’ll decide and do it, it’s been a year, and I’ve looked at the shots many times.

That said on my way down the steps heading for home, this was my final shot of Whitby, just after sunset, the buildings on the right partly lit by the street lamp.

I like the shot in colour also, but I’m still in a black & white mood, plus this shot has the right qualities for black & white in my opinion.

 It pretty much marked the end of my photo adventure when back home in England last year, from here I headed to the car and drove back over the pitch black moors back to Doncaster. After a few dreadful days of weather, Whitby had been kind weather wise and photographically to me, I’ll be back.

It’s been a while…

Truth is, I’ve hardly picked up the camera over the past six weeks or so, between the weather being generally crappy at the wrong times and also about once every 18 months I find I tend to put the camera down for about a month, maybe burnt out, need to recharge the batteries, but I think thats the phase that just hit me over the past few weeks.

That said, despite having not photographed much, I did place a few shots in Gallery7′s Openlens II contest and managed to have two shots selected for the exhibit and final judging which will be commencing later in the year, so more on that later. But as a result of that, I spent the afternoon with my photography buddies at what we deemed to be a ‘Framing Party’, a first for me, and there wasn’t much alcoholic beverages on hand, instead we had framers tape, matte cutting equipment, drills, brown paper, and windex… oodles and oodles of windex!

I didn’t realize how much windex was involved in photo framing. My first print to be framed was a black & white shot, so every spec of dust we missed on the glass was visible from Mars, it took about eight cleaning attempts to get every last spec of dust and mark off of the inside of the glass, which is a slow process. It involves cleaning, setting the shot & matte in the frame, closely inspecting with the light for dust specs, finding one, determining which side of the glass its on, trying to brush or wipe it off, removing the shot and matte, doing the same for the inside of the glass, rinse and repeat.

In the end though and after much hard work between the four of us we had six outstanding looking framed prints ready for the exhibition. For anyone interested, the framed one off prints will be available for purchase later in the year, though one member of the group did mention he hoped his didn’t sell so he could hang it at home!

With all of the photo related fun, it did kick start my desire to pickup the camera again and get out and do some shooting. That said though, the weather is pretty poor here right now, so no sunset shooting today. Next best thing was to take a look back at the archive for shots I had never gotten around to processing. Having upgraded to Nik Software’s Silver Efex Pro 2, I was in the mood to create a black & white shot, so after a quick look through the archive, I rustled up the image below. I had previously processed a similar shot in colour, but this is my new favorite as is Silver Efex Pro 2 for processing black & white photos, simply stunning software!

Hope you like it…

 (Jonathan Robson)

My rant on Micro FourThirds

I think for the vast majority of parents, the ideal camera is something that is small, point & shoot size, and fast, i.e. multiple shots/second, and pretty good in indoor lighting situations. That camera doesn’t exist yet, but some of the Micro FourThirds Camera do come close, take the Panasonic GF1 which we own as an example, it comes so close to meeting these requirements it is frustrating, hence my rant.

The GF1 is pretty fast and responsive in terms of shots/second for a camera of its size, it is quite a diminutive camera, not quite point and shoot, but with the 20mm pancake lens on, it is pocketable in a coat, image quality is excellent, the optics of the 20mm f1.7 are excellent, so whats not to like?

Its the lens lineup. There just are no fast lenses for Micro FourThirds. The 15-45mm lens the camera came with clocks in at f3.5 – f5.6, thats fine, its a useful lens for shooting outdoors, we knew that when we bought the camera, plus any faster and the lens would be larger violating the requirement of being small. Most of the lenses for Micro FourThirds are in this similar speed category, hence not meting the requirement of being reasonable in indoor lighting situations.

But that is not my beef, they’ve compromised on speed for size, fair enough, my real beef is with the pancake lens. Small, fast aperture but for some reason known only to Panasonic they do not allow the lens to continually autofocus, something that is very important with fast moving kids. This is the frustraiting part for me, they have a camera and lens combo that comes close to the wholey grail of what a family camera needs to be, and then fall at the last hurdle. Note the 15-45mm lens does support continuos autofocus.

If anyone knows why they don’t implement continuos autofocus in the 20mm pancake lens I’d love to hear, maybe there is some valid explanation?

So whats the solution. Well as I tell people who ask whats the best camera for shooting my kids with, I have to fall back to my tried and trusted answer… DSLR. Of course it isn’t even that simple, buying a DSLR is not a gateway to perfect shots of your kids, but it is the first step, granted you have to throw the size requirements out of the window also.

So why am I ranting about this again. Well yesterday my wife took a short photography course, I think sometimes it easier to learn from other people than myself for my wife at least, hence the class. On returning from the course she had gained quite a bit of knowledge on the basics of photography and I filled her in on her remaining questions. But she had also come to the conclusion that the GF1 was just not fast enough for moving objects, so she’s adopted my Canon 50D. We ordered a Canon 24-105 f4 L lens for it which will make a reasonable quick lens (paired with the sensor & noise handing of the 50D) with reasonably good focal range for the kids at approx 38-168mm focal length on a 35mm sensor, and of course, continuous (servo) focus is supported, because it just is for all canon EF & EF-S lenses, why wouldn’t it be!

So close Panasonic, but you failed.

Still the GF1 is a great camera which we will be keeping for those occasions when you just don’t wanna carry a camera, but feel you should just in case and also for me to carry around for shooting stuff here & there when I otherwise wouldn’t have a camera with me, because at the end of it all, the GF1 is an awesome camera with an needless achilles heal for shooting moving kids.